Special Reports – The Future of Advertising
The Future of Advertising
By Cathy Taylor and the Project for Excellence in Journalism
For the first three quarters of 2007, the U.S. advertising market was basically flat. But those numbers tend to hide, rather than reveal, some of the bumpiest terrain the media marketplace has ever seen.
Drill below the figures, and, in the summation of one ad executive, the ad market as we’ve known it — where a 30-second commercial is the coin of the realm — is in “chaos.”1
Talking to ad executives, one gets the sense that few know how to cope even with the changes to the media landscape that have already happened, let alone the ones that are still to come.
Simply put, the concept of mass media has ended. It is less clear what will replace it and how advertising will play a role.
What was once a matter of big media companies handing out content when and where it was most advantageous has morphed into a lengthy menu of à la carte options, with consumers deciding when, where and how they see, hear or read their selections.
For users of media, this opening of the floodgates may well create information and entertainment nirvana. But, for advertisers, what was once the fairly easy job of planning and buying across a handful of options has turned into a Rubik’s Cube of twisting and turning possibilities.
An advertiser of a deodorant targeted toward teen males may still advertise on network television, and may even fork over several million dollars for ads run during the Super Bowl. But given the well-documented flight of teen males to video games, the Internet and text messaging, the same advertiser might question whether it is better off embedding its brands into a gaming environment, developing its own game, posting its commercials on YouTube, or sponsoring mobile phone delivery of sports scores. It also might decide to avoid network entirely in favor of teen male-targeted cable programming such as Spike TV.
“We used to be in the trucking business. We used to take ads and commercials and deliver them,” says Charlie Rutman, CEO of North American Operations at MPG, which controls over $3 billion in U.S. ad spending annually. (For more details on the emergence of media agencies, see below.)
While ad executives know that trucking analogy is no longer accurate, they aren’t really sure what is replacing it.
It is even less clear if advertisers need news and entertainment media at all anymore. In the Internet age, advertisers often reach consumers with on their own Web sites, post their commercials to YouTube or engage in word-of-mouth campaigns. Advertisers no longer have to depend on paid media to distribute their messages.
While this might seem an opportunity, the reality is that the advertising world is no better prepared to deal with this rapid-fire change than are the news media.
When taken over all, the numbers for 2007 seem less remarkable.
According to TNS Media Intelligence, only three of the broad categories it measures show an increase in spending over the first three quarters of 2007.2 Its latest available data show magazines up 4.7%, the Internet up 17.2% and outdoor up 4.4%. Television, with the exception of cable, is down, with network television showing the biggest decline, 3% for the year. Radio is showing slight slippage, down 1.8% over all.
Freestanding inserts — such as Sunday circulars — are down by 1%, and then there are newspapers, which show the biggest declines of all. TNS pegs the entire category as down 5.2% for just the first three-quarters of 2007, following a decline of 2.4% for all of 2006. “That’s a bad business to be in right now,” says Jon Swallen, TNS’ senior vice president for research.
The upward tick in magazine spending, which may seem somewhat of a surprise given recent headlines about the decline of print, obscures some weaknesses, particularly in business-to-business magazines, down 5.5%, and local magazines, down 3.4%. According to data from the Publishers Information Bureau, the growth comes in big, mainstream advertisers that often target consumer magazines; 9 of the 12 major magazine advertising categories were up. The top spending category — drugs and remedies — increased by 7.1% to nearly $2.6 billion.3
The underlying reason for many of the downward spending trends is digital technology, which has, effectively, splintered mass media.
Usually, when people hear the word digital, they think of the Internet. But as it applies to media, the Internet is only one example of how digital is changing everything. This is the technology that has allowed the increasing penetration of digital video recorders (such as TiVo), which make possible what is known as time-shifting (the practice of watching a television program after it’s aired, rather than live). It’s one reason that the print versions of newspapers, whose content can now be found more quickly online, have been so hobbled. It’s also behind the resurgence in outdoor advertising, since digital technology allows companies like ESPN to beam sports stats to the tops of taxi cabs.
With all that complexity, digital technology also brings the advertising industry closer to its holy grail: to finally know whether and which ad expenditures are working, and whether the prices that media companies demand for their time and space are reasonable.
Is it possible an advertiser such as Procter & Gamble can actually spend almost $5 billion annually — in the U.S. alone — and not know whether it was worth the investment?4 The answer is a (qualified) yes. In fact, perhaps the best-known quote in the advertising business isn’t Nike’s iconic campaign theme “Just do it,” but this: “Half of the money I spend on advertising is wasted; the trouble is, I don’t know which half,” attributed to John Wanamaker, the Philadelphia retailer who died in 1922. In 2007, that would still hold true.5
Television commercials and whimsical print ads may have sold a lot of VW Beetles, but advertisers have never been able to draw direct lines between cause (the running of an ad) and effect (whether and how it moved product), at least not without relying on spottily accurate consumer studies. An advertiser may, for instance, have been able to see an up-tick in sales after spending tens of millions of dollars to get the word out about a new product, but not whether the ads it bought on ABC during “Extreme Makeover: Home Edition” were more effective than the print ad it ran in People magazine, or the cable buy that ran on the Lifetime and TLC channels.
With digital, in contrast, advertisers can more accurately than ever before track the number of people who viewed an ad, clicked on it and maybe even bought product online. This also gives advertisers a clearer picture of what they should pay for an ad.
In online search (see sidebar), for instance, specifically the “sponsored link” advertising that is dominated by Google, advertisers can now tell precisely which of their search ads are working. To put it simply, if consumers are interested in an ad, they click; if not, they don’t.
Even YouTube gives advertisers a tantalizing proxy for their ads’ popularity, albeit through data that are strictly unscientific. YouTube is also a way for advertisers to skip traditional media, including journalism, to disseminate their messages. One Starburst commercial from 2007, which featured a strange little lad who loves the new Berries ’n’ Crème flavor, resulted in at least 10 million hits on YouTube alone — and consumers posted the ad to YouTube before the ad agency did. The chilling aspect of that for media companies is that not one media dollar changed hands in exchange for all those eyeballs.
This ability to get much more granular data and the pressure felt by chief marketing officers to justify their ad dollars have made ad spending accountability the No. 1 priority among marketers today.
“Accountability has gone from a buzzword to something that is much more expected in marketing and advertising spend,” says Matt Freeman, CEO of Tribal DDB, a digital offshoot of the ad agency DDB Worldwide, part of Omnicom Group. “That has led to a client shift to more addressable media.” More addressable media usually means anything digitally trackable, from online display ads to offline ads that ask cell phone users to text-message the advertiser to win a prize. Adds Denise Warren, chief advertising officer of The New York Times Media Group, “The [chief marketing officer] has to really show that their marketing spend is delivering results.”
Why Madison Avenue Is Slow to Change
The revolution, however, may not happen as fast as some might think. Traditional media having trouble transitioning to the new landscape may be heartened by the fact that the advertising world is also not changing business models as fast as consumers are adapting to new technologies. Asked how well the advertising community is adapting to change, Randall Rothenberg, CEO of the Interactive Advertising Bureau, a trade group, responded, “Badly. The structure of the agency business has not kept pace with the needs of marketers.”
And it’s not just agencies – it’s every industry associated with advertising, be it measurement companies, media companies or marketers. One reason is the sheer complexity of steering the business models of mammoth organizations toward a digital world that is itself constantly evolving.
This is how Greg Smith, chief operating officer of Neo@Ogilvy, a digital media offshoot of WPP Group’s Ogilvy Worldwide that announced a top-to-bottom structural overhaul, sketches out the differences in how traditional media and digital media would tackle buying advertising: In traditional media, five people might be responsible for spending $100 million in network and cable television, a task that requires planning and buying the media, ensuring the commercials get to the networks in question and measuring traffic. In digital media, those same five people might be responsible for a budget of only $1 million that involves 1,000 ad placements, the buying of 5,000 keywords on search engines, and tracking and changing the campaign based on the data that come back. Some marketers do this on a daily basis, and many more weekly, making this a continuing, time-consuming task.
Given that agencies have traditionally been compensated as a percentage of the overall media spend, digital media present a mind-bending challenge. As the person in charge of day-to-day operations, Smith has to constantly assess and question whether the agency operates in ways that make sense in an ever-changing digital world. “Boy, does that make me popular around these halls,” says Smith.
The other issue is the number of bodies advertising and media companies can throw at the transition.
According to an analysis of Bureau of Labor Statistics data by Advertising Age, as of October 2007, the number of jobs in advertising and marketing services was down 1.1% from its peak during 2000, the year the Internet bubble burst, and one of every eight jobs in media has vanished.6
And the skill set most in demand — digital technology savvy — is also the hardest to come by for both marketers and agencies. Says Steve Farella, president and CEO of the media boutique TargetCast tcm, “Digital agencies or digital groups [within marketers], no matter where you are, are probably understaffed by 15 to 20 to 25%, so that’s actually holding us back.”
In the near term, industry insiders expect how advertising is bought will remain bifurcated, despite advertiser passion for new media options. The rise in digital media and its promise of accountability have prompted advertisers to send more and more of their dollars there. But the marketplace is slow to change, both because of institutional resistance and the lack of a fully realized model that gives advertisers a completely accurate account of consumer viewing and decision-making.
With the Internet far and away the most built-out digital advertising platform, it’s clear that it is the tail wagging the old media dog, and nothing on the horizon, save for a micro-chip shortage, could conceivably change that.
The Internet’s influence on other media is far greater than the actual dollars that, at this point, go toward it.
Internet spending accounted for only $8.4 billion of the $108 billion in total ad spending during the first three quarters of 2007, or less than 8%, surpassing only radio (at $8 billion), and less significant media such as outdoor and freestanding inserts.7 But that statistic comes with a rather large caveat: It does not include search advertising. That in itself illustrates how companies have not kept up with the digital explosion. TNS hasn’t yet perfected its ability to track searches, or other even newer ad forms, such as online video.
Numbers from Nielsen Monitor-Plus, which also do not include search, are even less generous, but confirm the general trend. They put Internet spending at $5.4 billion during the first three quarters of 2007, for a year-on-year increase of 15.9%.
A more complete number is provided by the Interactive Advertising Bureau, which releases online ad revenue on a quarterly basis from PriceWaterhouseCoopers. It pegs Internet spending for the first three quarters of 2007, including searches and online video, at $15.2 billion, up almost 26% from the same period in 2006. Even comparing that larger figure against TNS numbers for other media, online doesn’t yet approach the spending figures for newspapers ($19.2 billion), and magazines ($21.8 billion), and is still a far cry from network television ($46.4 billion).
Advocates of the Internet as an advertising medium believe that should change. The reason, they say, is that the amount of money that goes to online advertising spending in no way matches consumer consumption of it. According to the Internet Advertising Bureau’s Rothenberg, on average people spend 22% of their day online. Even taking the Internet Advertising Bureau’s more comprehensive spending number for TNS’ more limited estimate, only about 13% of ad spending goes online
There’s no law that says ad spending by medium should match consumer consumption, but still the gap between consumer and advertiser reality here is sizable. Wouldn’t advertisers want their messages to be placed in some rough approximation of where the consumers are?
Ad executives say the reasons for the gap have to do with the nature of change. Jeff Lanctot, senior vice president of global media at digital agency Avenue A/Razorfish, says marketers lag in reacting to revolutions in consumer behavior. “When they double their [digital] budget from 2006-07, they think that’s very aggressive,” Lanctot says.
As one indicator of the gap, Nielsen Monitor-Plus’ list of the top 10 advertisers in the U.S. bears little resemblance to the list of top online advertisers from Nielsen Online, AdRelevance. It might make sense for many of the biggest overall ad spenders to also be the biggest spenders online. Instead, only one advertiser, AT&T, was recently on both lists. While the overall list was dominated by companies such as Procter & Gamble, General Motors and Verizon, the online list included digital-friendly advertisers such as Experian, Countrywide Financial, Netflix and Dell.
Despite the gap, advertisers are well aware that consumers are gravitating to the Internet. “The biggest shift we have seen is the consumer is spending more and more time online. We are seeing significant growth in digital and it continues to grow year on year,” says Michele Hughes, director of interactive marketing for global business services and consumer solutions at P&G. “The other key difference is that with so many media options, the consumer can now engage on their own terms. Our challenge and opportunity is to be accessible to the consumer when and where they are most receptive.”
The gap may close more quickly now that the Internet is no longer a dial-up medium for most consumers. With broadband penetration in the U.S. currently hovering at about 50%, according to the Pew Internet Project, advertisers can now use the Internet for video, text or display.8
That in turn should lead to more video. The Internet’s ability to provide advertisers with sight, sound and motion has led to predictions of explosive growth in online ad video. The research firm Borrell Associates predicted in a 2008 outlook report that local online video will more than triple this year, jumping from slightly more than $400 million to $1.3 billion.9 According to figures from the Internet Advertising Bureau and PricewaterhouseCoopers, broadband video accounted for only 1%, or $100 million, of total online ad revenue in the first half of 2007.10
And then there’s accountability. Even when consumers don’t click on the ads they see — and for the most part, with a click rate at well under 1%, they don’t — the Internet can give much more voluminous data than older media. “It’s very measurable, so that makes it easier to justify your buy,” explains Christine MacKenzie, executive director of multi-brand marketing and agency relations at Chrysler.11
Nielsen, though highly regarded, still determines billions of dollars in television ad spending based on a panel of approximately 10,000 U.S. homes. Although there are certainly other companies that help advertisers determine offline advertising effectiveness, an Internet advertiser can learn how many users saw its advertising in a dizzying number of ways: across multiple sites, whether a user clicked on it, the amount of time spent with an individual ad, where they came from and went to, and many other variations on data. They can target sports enthusiasts in Dallas whose online behavior indicates they are deep in the process of buying cars, or pregnant women in Maine looking for baby furniture, by buying ads that will only be displayed in the areas of sites, such as NBC’s iVillage, that focus solely on the topic.
As with television, most online display advertising is bought solely on the number of impressions — in other words, the number of people who actually saw it. Where the Internet differs substantially from television is that players such as Nielsen/NetRatings and comScore that tally Internet traffic aren’t nearly as important — they are only two among many in a much more complicated measurement universe. Companies such as Microsoft’s Atlas and DoubleClick, which Google set out to acquire in 2007, pending regulatory approval, serve clients’ ads to sites and also track them, making it easier to change campaigns as they proceed.
Despite the evidence that a search-style ad auction market is spilling over into other media, one medium that seems immune to new ad buying models is network television.
If old habits die hard, than they die hardest in the ad industry when it comes to buys on ABC, CBS, Fox, NBC and Time Warner’s CW. Not only is business conducted much the same as it has been for years, but the networks are also somewhat unaffected by their own declining audience.
According to TNS Media Intelligence, network television spending was off by 3% for the first three quarters of 2007. Nielsen has network television suffering a 2.5% decline. That’s nothing to write home about, of course, but the declines don’t compare to continuing drop-offs in viewership.
For the first 11 weeks of the 2007-08 television season, prior to the effects of the fall 2007 Writers Guild of America strike, Nielsen data show viewer declines for the crucial 18-to-49 age group of 19.4% for NBC, 16.7% for CBS, 10.5% for ABC and 28.6% for CW.13 Only Fox improved, with a 3.4% gain. (The ratings have been partly affected by a change in how television is measured by Nielsen, (see Measurement, below ), now expanded to include DVR viewing in the first three days after a program airs, and to rate commercials, rather than programs.)
Why would advertisers pay more, or the same, for less?
It would be easy to pin the answer on habit, but, with billions of dollars at stake, that’s too simplistic. The best explanation is that it’s hard to find anyone, even among the most digitally savvy, who doubts television’s persuasive power. “Television is the only medium where a mediocre commercial can sell a lot of product,” says Gene DeWitt, a media agency executive and founder of DeWitt Media Strategies.
And although network television is by no means as powerful as it was, advertisers don’t have another place to turn to get out that big message created to reach millions. The Internet, despite its popularity, is not that medium. It splinters its audience in millions of directions from the moment they log on, so while it is great for targeting to ever-smaller niches, television still excels at blasting out a huge, quick message. The first step to buying a product is knowing it exists, and television is still seen as the leader in doing that en masse.
There’s no more high-profile example of this than the Super Bowl, which has evolved since the mid-1980s into the annual premier advertising showcase and, not coincidentally, also draws the biggest television audience of the year. The 2008 Super Bowl saw the price for a 30-second spot hit $2.7 million; in 2007 it was around $2.4 million, and those in the market see no indication that the big game — one of the last live, must-watch annual television events — will lessen in advertising importance.14 “People don’t time-shift and watch the Super Bowl three days later,” says Francois Lee, vice president and activation director at media buying agency MediaVest, a unit of Publicis Groupe.
Advertisers’ continuing ardor for television is best expressed in the way the entire ad market is conducted, and that’s primarily through the advanced selling season held each spring, known as the upfront, which dictates much of the television networks’ financial fortunes for the next year. (For more details on how the upfront works, see sidebar.) Most of the networks’ inventory of advertising time is sold during the upfront. The remainder is sold closer to airtime in what’s known as the scatter market, which is usually more expensive, and offers advertisers decreased options.
The upfront “sort of stabilizes the market,” explains Jonathan Nelson, who advises advertising holding company Omnicom Group on its digital strategy. “The networks like to know what their revenue is going to look like, and in exchange for that they’re willing to discount.”
The television networks don’t operate with immunity, however. The writers strike potentially threatened the networks not only with large amounts of make-good air time for lost commercials but also with mass refunds to advertisers. (NBC did give out fourth-quarter refunds to some advertisers in December 2007.) And even the traditionally lavish upfront productions are in jeopardy in 2008, as at least one network, NBC, reassesses whether the costly spectacle is worth its expense in advertisers and press. The upside is that 2008 is a quadrennial year, with the summer Olympics in Beijing and, to a lesser extent the presidential elections, expected to boost network fortune.
According to CBS Chief Research Officer David Poltrack, the networks’ de facto forecaster, network revenues will increase by 7% with an underlying growth rate of 5%, adjusted for the Olympic boost. TNS is more cautious at 2.7%. Either way, the broadcast networks should do better than they did last year.
The outlook for cable advertising is one of the strongest over all.
Its numbers for the first three quarters of 2007 show a 4.7% increase to $12.7 billion, according to TNS Media Intelligence, while Nielsen Monitor-Plus reported a more meager 1.2 % increase.
According to analysis from the medium’s trade group, the Cabletelevision Advertising Bureau, cable’s share of the overall television advertising pie grew from 36.8% in the second quarter of 2004 to 40.3% three years later. During the same period, network television dropped to 51.2% from 54.1%.
Still, like the Internet, cable television lags in terms of ad spending vs. viewership.
More people at any one time are now watching commercial cable television than broadcast network. During the last week of December 2007, for instance, 60.8% of the overall television audience was watching cable, according to data from Nielsen’s Galaxy service. (That does not mean the average cable channel’s ratings are comparable to a broadcast network’s. On cable, the audience is scattered over dozens of channels, not among four or five network channels.)
The spending on cable advertising thus has room to grow. “Nationally, cable in prime-time TV probably has 62% of the salable GRPs [Gross Rating Points],” said Sean Cunningham, president and CEO of the Cabletelevision Advertising Bureau. “Right now, we’ve got 52% of the dollars.”
Some think the gap will close.
Cunningham said the Olympics and the presidential elections in 2008 will create high demand for ads on the broadcast networks, causing dollars to flow to cable. Also, as network television deals with the large volume of make-goods caused by the writers’ strike, the availability of advertising time will tighten, Cunningham said.
Cable viewers also do more “live” viewing and new data show that people are more apt to watch commercials when they aren’t watching something they have recorded on DVR, said Cunningham, adding that that’s a lure for advertisers.
TNS’ Jon Swallen says local television money also has been drifting to cable, as smaller advertisers realize they can get a national footprint and distribution for the same amount they would spend targeting individual markets. “Local TV stations — particularly in larger markets — have been facing increasing competition from an unlikely source,” he says. “And that unlikely source is cable networks.”
Local TV Advertising (Spot)
Jon Swallen’s insight may make it sound as though things are bleak for spot TV, the industry term for advertising sold on local stations. Not so, at least for 2008: TNS Media Intelligence believes spot TV ad spending will increase by 9.9% this year, second only to the Internet.
Spot may be the most cyclical of ad media, since its fortunes wax and wane with election years. A presidential election year like 2008, with no incumbent and an open field, may be optimal, since the candidates pour money into advertising on local stations during the primary season.
It certainly has been a boon to television stations in Iowa, where TNS estimates candidates spent $40 million leading up to the January 2008 caucuses, three times more than four years ago.15 “We will outperform the ad market in ’08, whatever it is,” predicts Chris Rohrs, president of the Television Bureau of Advertising, the trade organization that represents local broadcasters.
But the medium’s cyclical nature also contributed to its posting the biggest declines in the television industry. TNS puts the drop in ad revenue at 6.8% to $11.2 billion in the first three quarters of 2007, and Nielsen Monitor-Plus estimated a 5% decline in the top 100 spot markets alone.16
The other culprit, according to Rohrs, was a decline in automotive spending, which contributes much to the bottom line of local stations, mostly in the form of dealer advertising. “We did not anticipate the softness in the automotive business,” he said.
The automotive industry, particularly the domestic carmakers, may be the best poster children for the changes in media as a whole. Ford, General Motors and Chrysler, beset by such factors as bulging healthcare costs for retirees and intense foreign competition, have been cutting their budgets substantially and putting more of their advertising money in digital channels.
GM’s budget for the first nine months of 2007 was down a stunning 22.2% to $1.4 billion; Ford shaved its budget by 4.3% to $1.2 billion, and Cerberus, now parent company to the Chrysler brands, slashed its budget by 11.3%, to $865 million. (Toyota did, too, in the same time frame.)17
During the first 11 months of 2007, according to Nielsen Online AdRelevance, Ford increased its online ad budget to $128 million, a gain of nearly 130%; GM to $121 million, for a gain of 38%, and DaimlerChrysler by 16.5% to $30.4 million.
The Internet is the first place serious car buyers go to look for information. Thus, automotive advertisers have usually led the way in exploring digital technologies.
In marketing, cars (along with other goods and services such as computers and travel) are called “considered purchases” since they require a high degree of mulling by consumers. The Internet, with its ability to help people through the purchase process with car configurators, financing calculators and detailed specifications, is their medium of choice. “For our category, it’s critical for us because we know that that’s about the first place consumers go,” explains Betsy Lazar, executive director for advertising and media promotion of General Motors.
What that means for advertising in other media, over the long term, is hard to say. Rohrs sees much potential for local television stations in their burgeoning online channels, which may help counter-balance the dollars flying out of station owners’ pockets.
Compared to categories like network television and the Internet, radio is an also-ran.
According to Mary Bennett, executive vice president of marketing for the Radio Advertising Bureau, the medium is facing a by-now-familiar challenge. “All traditional media have their challenges,” she said. “It’s called the upstart darling: the Internet.”
In fact, the strongest growth story in the radio universe is the Internet.
In 2003, the Radio Advertising Bureau (RAB) began to track what it terms “non-spot revenue,” which is revenue streams apart from traditional advertising. The lion’s share of that money is advertising from a radio station’s Web presence, which rose from $1.3 billion in the first year of tracking to $1.5 billion in 2006, growing by more than 15%. That trend continued into 2007, with non-spot growing by 10% in the first three quarters of the year compared to the year earlier.
The problem is that non-spot is one of the smallest revenue generators in radio. Of the $21.7 billion the RAB says the medium tallied in 2006, non-spot totaled only 7%.
Network radio, which is the category of ad spending that comes from syndicated programming such as “The Rush Limbaugh Show,” is radio’s other growth story, but it, too, is not a huge contributor to its bottom line. For instance, 71% of revenue came from local advertising, such as car dealers and retail outlets, in 2006. Network’s contribution to the overall radio revenue pie in 2006 was 5%, or $1.1 billion. In the first three quarters of 2007, network revenue grew by 5%.
As for radio’s other revenue categories, they’ve barely budged since 2003.
National radio advertising, which pools and sells ad time from some of the big station groups such as CBS Radio and ABC/Disney, has ranged between $3.4 billion and $3.5 billion between 2003 and 2006, while local radio fluctuated from $15.1 billion to $15.6 billion. For 2007, Bennett says “the flagging economy [and] sub-prime market has consumers worried beyond belief about the next step.”
TNS’ Jon Swallen sees the problem as “the comparatively antiquated, backwater media measurement system that the radio industry is saddled with.” Radio still relies on panel-based written diaries to determine its ratings. In a world of trackable media, that is quickly becoming a “competitive disadvantage,” Swallen said.
Moreover, an attempt by Arbitron, the Nielsen of the radio business, to launch a new, theoretically more reliable measurement system in 2007 has stalled.
The Arbitron Portable People Meter calls for a panel of listeners to carry a device with them each day that can detect radio signals and transmit the data back to Arbitron. (See Radio.) In December, Arbitron retrenched after initial ratings — in some cases coming in quite a bit lower than the diary-based ratings — angered some stations.
Listen to advertising executives talk about the future of newspapers, and often they start with a long sigh.
The first problem the medium faces is that now people can easily find the content of newspapers elsewhere, specifically online. “The substitutability paradigm hits newspapers harder than anybody else,” said TNS Media Intelligence’s Senior Vice President of Research Jon Swallen.
And that habit is particularly true among young people, who get their news quickly and conveniently on the Web. This fundamental shift in consumer behavior may be irreversible.
According to TNS’ figures for the first nine months of 2007, every subcategory — local, national and Spanish-language — was down, with the medium’s domestic ad spending dropping from $20.3 billion in the first nine months of 2006 to $19.2 billion. The category’s overall decline was 5.2%. (For more details, see Newspaper Chapter.) And that came after a 2.4% decline in 2006 and a gain of only 1.1% in 2005.
Those longer-term numbers give a sense that the end of newspapers as pre-packaged parcels delivered to our doorsteps may not be far off. “Newspapers as we know them haven’t done anything wrong,” says Charlie Rutman, CEO of North American Operations for media buying agency MPG. “They haven’t gone backwards, but all these other things have encroached on their territory.”
Chief among these many “other things”: Web sites, like Craig’s List, that draw away classified ad customers. To that, add the movement of some bedrock newspaper advertising categories to other media.
At UBS’ Annual Global Media Conference in December 2007, the Newspaper Association of America’s vice president for business analysis and research, Jim Conaghan, explained, “Local auto dealers are actually shrinking their advertising budgets and, within those shrinking budgets year to year, are changing the media mix.” As we’ve seen, the main place those budgets are going is online.
Other categories have slashed newspaper budgets. As one example, Macy’s dropped its budget by 22.3% in the third quarter of 2007, according TNS. One bright spot is telecommunications; Verizon and Sprint both increased advertising budgets in the same time frame, by 14.9% and 3.7%, respectively. However, AT&T, which put a lot of money into a branding campaign, chose to put that money in online and television. In the third quarter, it cut its newspaper budget by almost 20%.
“We’re going to see some major metros collapse,” predicts Dave Morgan, who in February 2008 left AOL, where he was executive vice president for global advertising strategy and worked closely with many newspapers on online ad revenue efforts. “The costs they cannot control are just extraordinary.”
And easily overlooked is the medium’s lack of accountability compared to other, particularly digital, media. TargetCast tmc’s Steve Farella said of one major metropolitan daily, “They can’t tell you what the demographics of the sports section [are]. That’s huge.”
Michael Zimbalist, vice president for research and development operations for the New York Times Company, disagrees with the assertion that newspapers lag in accountability. “Of the traditional media,” he said, “newspapers have generally been some of the more trackable in many respects…. Retailers will tell you that you run ads in the newspaper and you will see foot traffic in stores.”
Nonetheless, the pull toward online is inevitable. Newspapers are investing there — to the extent that their shrinking coffers allow. “It’s a generational thing, and I think both [magazines and newspapers] are working feverishly to move their content online as quickly as possible,” said Brad Adgate, senior vice president for research for Horizon Media.
So will online advertising get to the point where it can revive newspapers, as a mainly digital product?
The Newspaper Association’s Conaghan believes the answer is yes.
“ What you’ve seen up to this point at many newspapers is really adding the online buy to the print buy,” he said at the UBS conference. “I think what you’re increasingly going to see in the near-term and longer term future is that online sale being made first and then kind of the print buy being an add-on to the online buy.” For instance, if an advertiser was interested in using a newspaper property to launch an online promotion, it might first decide that the ad should appear in targeted portions of the newspaper’s Web site — a sports advertiser, for example, might buy only in the sports section. Once visitors clicked on the ad, they would go to a mini-site to register for the promotion. The role of print in that scenario might be to drive online traffic to the promotion, but it’s clearly secondary.
Some old-media companies are adapting to meet advertisers’ multimedia needs. At the New York Times Company, for instance, the sales force works with a customer to present and customize all options, rather than sell them a particular one.
But there is a very long way to go. Although the Times reported that its Internet revenue — which includes both its newspaper Web sites and the content “guide” site About.com — was up 26.5% to $79.7 million in the third quarter of 2007 compared to the same period in 2006, it still makes up only 10.6% of the total revenue, up from 8.5% the year before.18
Conaghan said at the UBS conference, “ I would expect as digital businesses grow in all media, it will keep increasing to take a larger and larger composition of newspaper ad spending. When it reaches 20%, when it reaches 25%, I really don’t know. I don’t think anybody else does either.”
It might be time to ask the question: What is a magazine?
Judging by ad spending in 2007, the medium by and large is healthy. But there was more talk than ever of magazine-as-brand, as some leading publications crossed platforms to gain readership — and advertisers.
According to the Magazine Publishers of America, magazines over all announced 207 digital initiatives in 2007, ranging from integrated marketing programs to building social networking tools. That number is up from 155 in 2006.19
There was no one big event in 2007 to single out. Instead, the year saw a slow drip, drip, drip that has resulted in most magazines trying to grasp audience wherever it is and through means they once would have pooh-poohed.
The role of digital media is “to take the brands strength and deliver it to people in a 24/7 manner,” said Ellen Oppenheim, executive vice president and chief marketing officer of the Magazine Publishers of America.
- Forbes launched an online audience network to cull impressions from a number of sites that would make attractive buys for advertisers.
- Wired built a dedicated production studio to produce its own online video. It also integrated its Web and magazine staffs during the course of the year.
- Vanity Fair now has exclusives on its Web site. Visitors, for example, could see unpublished photos from the print story about January 2008 cover girl Katherine Heigl.
For some magazines seeing downward trends in ad spending, these changes are crucial. For others, having a healthy online presence is a way of hedging their bets.
For 2008, TNS predicts that the basic trends of the past year will continue, with consumer and Sunday magazines up a total of 3.6% and business-to-business magazines experiencing a miniscule 0.1% decline.
So why is the medium’s overall performance so full of peaks and valleys?
To TNS’ Jon Swallen, it’s an example of what he calls the concept of “substitutability” — the easier and faster it is to replicate what an older media property delivers in another medium (usually, these days, the Internet), the more vulnerable the property is. Thus, advertisers are losing interest in the print newsweeklies, both business-to-business and consumer.
Print ad revenue statistics from the Publishers Information Bureau for the full year 2007 tell the story. BusinessWeek’s ad revenue dropped 12.9% and Fortune by 10.5%, with only Forbes bucking the trend among the major business newsweeklies, with a 7.9% gain. Time’s revenue was off 18.3% and Newsweek’s revenue dropped slightly, by 1.8%.20 On the b-to-b side, one notable trade magazine, Nielsen-owned Adweek, said late in the year that it would decrease its frequency to 36 issues a year to focus more on producing online content.21
One way the category’s relative vibrancy shows up is in the continuing quest by entrepreneurs to start up new magazines. “We’re always being asked to add new magazines [to what we track],” said Brian Lane, senior vice president of client strategy and product development at Nielsen Monitor-Plus. “There are always new magazines out there.” Despite the bright spots, however, even non-newsweeklies are facing increasing pressure to make money — or else. Among the notable shutdowns in 2007 were Time Inc.’s monthly Business 2.0 and Condé Nast’s House & Garden magazine, which had trouble competing in a market chock-a-block with shelter books.
Another bright spot is niche magazines that have a dedicated loyal audience for a specific topic.22 Some examples: Audubon experienced a 29.7% growth in ad revenue in 2007 compared to 2006; Fit Pregnancy saw a 22.8% gain and Road & Track had an 11.2% increase. While the trends aren’t uniform, they generally demonstrate an axiom that’s at least as old as television: As new media come along, older media have to shift what they deliver.
In terms of overall ad categories, most of the news is positive. In addition to big increases in the categories of drugs and remedies during full year 2007, other substantial gainers included food and food products, up 17% to more than $2.1 billion; retail, up 10.3% to more than $1.9 billion; and toiletries and cosmetics, up 11.9% to $2.6 billion.
But there are trouble spots in automotive, technology and home furnishings and supplies, off in ad revenue by 2.1%, 9% and 8.2%, respectively.
For home furnishings and supplies, the category may be suffering from a downturn caused by the beleaguered real estate market, which is a cyclical situation. For automotive and technology, however, it’s obvious that the Internet is one reason dollars are being sapped away and that may be a longer-term problem. At the annual meeting of the American Magazine Conference in October 2007, Chrysler CEO Robert Nardelli told the crowd not to look for increases in ad spending from his company.23 Christine MacKenzie, executive director of multi-marketing and agency relations at Chrysler, said. “For us, magazines still play a role. Magazines are great, particularly during launching a product.” She added, however, that their effectiveness at delivering lots of information is something the Internet can do, too, often better.
The quest to gain readers and advertisers is leading more and more publishers in unusual directions. For example, CondéNet, the online unit of Condé Nast, was one of the launch advertisers on Facebook Ads, where it has created presences for its cooking site Epicurious and its teen girl-targeted site Flip.com; it also signed an ad revenue-sharing deal late in 2007 with YouTube, and in 2006 bought Reddit.com, a social networking site that allows users to vote on and share their favorite online content.
To Sarah Chubb, president of CondéNet, it’s all about leveraging the Web’s easy distribution to build both audience and advertisers. “A big goal with all of these distribution deals is to have advertisers come along with us,” she says.
For instance, CondéNet has worked both online and offline with the Diamond Trading Company, the company that brought the world the slogan “A Diamond Is Forever.” The deal included print advertising in shopping magazine Lucky, online advertising at Condé Nast fashion site style.com, sponsorship of the style.com video area, and offline distribution of the diamond company’s advertising through an initiative called Emerging Cinemas, in which CondéNet video is screened at art house film theaters across the country as a 10-minute feature before the show. Long-form commercials, of more than two minutes, from the diamond company were interspersed within the CondéNet video.
Though Condé Nast has had a cutting-edge approach to incorporating advertisers into its properties, wherever they are, it’s becoming increasingly clear that, as with other media categories, magazines will live in a variety of media, with brands being the thread that pulls the different content platforms together.
Taking the Measure of Measurement
While Nielsen Media Research is still the standard for measuring television ratings, the quality and quantity provided by digital measurement is giving it a run for its money, as well as pushing measurement of every other ad-supported medium to improve.
Digital technology’s ability to tell advertisers exactly who is accessing a specific promotion at any given time is a far cry from the “sample” Nielsen households that have held together the television industry.
“There is an awful lot of pressure on mainstream media to keep up with the Internet,” says Brad Adgate, senior vice president for research at Horizon Media. Magazines, newspapers, cable television and radio are all trying to make their measurement digital, or, at the very least, compare themselves favorably to digital advertising vehicles.
Sarah Fay, an online media executive who took the reins of the online and offline operations of Aegis Group’s Carat USA in 2007, is painfully aware of the discrepancy. “Coming in fresh to the broadcast market, the big question you ask is: Are the samples big enough to be valid?”
To people who have spent their careers in broadcast media, that may seem an odd question. Nielsen’s sample of approximately 10,000 households (incorporating 30,000 viewers) of the 100 million households in the U.S. has satisfied the advertising community well enough to justify tens of billions of dollars being spent in TV each year. “We are still taking $65 billion (in TV ad spending) off of panel-based measurement,” says Sean Cunningham president and CEO of the Cabletelevision Advertising Bureau.
But as digital audiences grow, there’s more concern not only about all of the households who aren’t in Nielsen’s fold, but whether measurement data in every medium can stand up to newer technologies. “There’s no question that technology is pushing us to a lot of things,” says Nielsen spokeswoman Anne Elliott. “But we’re developing technology that will help us on the way.”
What follows is a snapshot of how measurement is changing to try to meet the digital challenge.
At Nielsen, the biggest measurement news right now is what the media industry has come to call C3. (See sidebar.)
The new system rates commercials and all viewing of a TV program – whether real-time, on a video game such Xbox, or on a digital video recorder — within three days after it airs.
C3 also became the negotiating currency for much of the 2007 upfront, meaning that audience guarantees to advertisers were based on it, instead of the old currency, which measured live program ratings.
Although not everyone wanted to limit viewing to three days, a shorter time frame made sense for some time-sensitive categories, like movies and retail. According to Elliott, “A significant amount of playback does occur within those three days.”
Measuring time-shifted viewing is one C3 innovation. The second is that, for the first time, Nielsen is rating the commercials within each program. For advertisers, this finally gets at the question of whether commercials, as opposed to programming, are being watched. Still, C3 provides relatively rudimentary results, because it only gives an average rating of all commercials within a program. It won’t tell, say, whether a Budweiser ad featuring talking lizards did better than a commercial for the car-care product Armor All.™
As Nielsen has converted to C3, the system has offered up what seems to be a common result when a new measurement is introduced: lower ratings.
According to data compiled from September to early December 2007 by David Poltrack, chief research officer of CBS, the four major broadcast networks saw prime-time audience drop by 9% over all, 11% in the 25-to-54 age group, and 10% in the 18-to-49 age group. The ratings for commercials dropped only slightly, by about 5%, when people viewed them as part of live programming; about 60% skipped past commercials when watching pre-recorded programming.
That’s not news that advertisers and television executives particularly want to hear. But C3, which most view as a transitional system, is still a signpost of what’s to come.24
The Set-Top Box
What the television and advertising markets are really gearing up for is the ability to mine data about viewer behavior directly from the set-top box — or the cable box, as most consumers know it.
There are limitations. Even if the television is off, the set-top box will still record whatever channel the cable box is turned to as viewing data. But the potential is clear: every time a television viewer changes channels using the set-top box, that data are transmitted back to the cable operator. Until recently, that information has never been used to target advertising. “We’re only a few years away from a transformation of set-top boxes,” says Dave Morgan, executive vice president for global advertising strategy for Time Warner’s AOL.
The goal now is to use that data to provide more accurate ratings and also place more targeted advertising – all in ways that protect consumers’ privacy. “We’re looking at different ways that we can look at the set-top box information,” says Nielsen’s Elliott.
And it’s beginning to happen. Although there are a number of initiatives, one that created headlines last year was a deal among Nielsen, Google and EchoStar’s DISH Network to provide second-by-second ratings information, which helps marketers, agencies and media companies discover not only whether a commercial is being watched, but also at what point viewers tune out.25 For advertisers, this is crucial to rethinking their advertising. “In other words, where within that 30-second ad are we losing people?” says Todd Juenger, general manager and vice president for audience research and measurement at TiVo.
While Google and EchoStar had already been working together on Google TV Ads, Nielsen brought new information to the table: demographic data, based on samples, to pinpoint the age, gender and income of the people tracked.
Another headline-maker was a November 2007 agreement between NBC and TiVo.26
One result of that deal is taking advantage of TiVo’s Internet-like interactivity. NBC advertisers can buy clickable tags when their ads appear on the network via TiVo; the results of those clicks will then be reported back to advertisers.
The second component is that NBC said it would subscribe to TiVo’s Stop/Watch service, a panel-based measurement initiative, which, like the Google/Nielsen/EchoStar deal, gives second-by-second measurement. “TiVo is sitting on some terrific data,” says Juenger.
Google TV Ads is an experiment with an automated, auction-based process for buying television advertising, in conjunction with EchoStar, Wave Cable and Nielsen. Like Google Print Ads, the service allows advertisers too small to warrant a call from sales reps to buy television advertising online. What’s truly interesting is the data the advertiser gets back: Google TV reports whether people viewed an ad and when they tuned out.
It would be reasonable to question why all major advertisers aren’t experimenting with set top devices. Some contend that it’s because there are still advertising executives who view too much knowledge as a bad thing. It’s no doubt scary for some to finally face the truth of how ads are performing. “Who wants to be incredibly accountable when you don’t have to be?” asks Omnicom Group’s Jonathan Nelson.
Why is Google involved in television? Google imagines a world where advertising is completely accountable. If it can build accountability into models for all its clients across all platforms, everyone wins — Google, by gaining even more revenue; advertisers and agencies, with assurances their ad dollars are being invested wisely, and publishers, by proving their properties are worthy advertising vehicles.
At the UBS Global Media Conference in December 2007, Tim Armstrong, resident of advertising and commerce for Google North America, explained how more accurate measurement helps advertisers target and media companies sell more advertising. At a former job, he said: “We had a Saturday morning fishing and hunting TV program, which in the late ’90s you couldn’t sell, and in essence now it’s sold out … the question is — was that inventory not valuable in 1998, and now it’s valuable in 2007? The answer is there probably was not enough data and information at that time period to really show advertisers why that inventory was really valuable.” Theoretically, at least in the sales arena, every program has a value to advertisers; you just need the data to prove it.
Google’s model does not answer the question: can advertising be 100% accountable?
A spokeswoman for Google, Deanna Yick, says, “We think it can be.” But the ideal has its skeptics, who point out that the idea may work better for ads calling for a consumer response, such as dialing a toll-free number, than those aimed at building brand awareness and image.
And, as radio is finding in its own attempt at more digitally based measurement with its Arbitron Portable People Meter, digital has its imperfections. (See Radio Chapter.)
“I don’t think we’ll ever get perfect accountability,” says Charlie Rutman, CEO of North America Operations at MPG, a unit of Havas.
Print: Online Surveying
And then there’s print. How does a medium that has no near-term prospect of being delivered digitally cope with the digital challenge?
The answer is in several ways, which include comparing how the medium performs in combination with, or in competition with, digital platforms, and also by inserting digital technology into the product.
Ellen Oppenheim, executive vice president and chief marketing officer of the Magazine Publishers of America, says online surveying — using the online medium to find out more about readership — has been hugely popular among publishers. The trade organization has also done a series of studies, including how magazines help drive online success for advertisers.
Perhaps the most interesting experiment on the boards in magazine research is one by research firm MRI (Mediamark Research and Intelligence) to measure readership using RFID (radio frequency identification) tags, which can then transmit data about whether someone is reading a magazine back to headquarters.27 “Accountability is the watchword,” says Kathi Love, the CEO of MRI. “Everybody wants proof that their ad was seen.”
The test, expected to start in early 2008, will put RFID tags in magazines in some doctors’ waiting rooms, which will be embedded into a plastic cover. Data will be transmitted back to MRI through a Blackberry-size unit on the wall. It will not tell what stories a reader spends time on; it will record whether a magazine is opened and the amount of time it stays open. More detailed data will come later, says Love.
The newspaper business announced a new measurement service called Audi ence-FAX in November. A joint venture of the Newspaper Association of America, Scarborough Research and the Audit Bureau of Circulation, the service is merging online and offline audience data for newspaper properties to give advertisers more complete data on each newspaper property’s impact, regardless of which medium people are using to consume it. “ Getting that kind of data into their hands is going to be critical if we are to move past simply counting papers into counting people who consume what we produce,” according to Audience-FAX.
More refined targeting brings with it a major concern. Will consumer privacy be breached? There’s no simple way to resolve that issue. The industry would prefer to self-regulate in large part by targeting ads at consumers who agree to receive them or through, say, Internet cookies, which track consumer behavior without revealing identities.28 But for now, the privacy debate remains largely unresolved.
Advances in measurement will march on. Clearly the days of advertisers spending billions of dollars based on broad strokes of data about audience are drawing to a close.
From Advertising Agency to Media Agency
Over the past decade, the explosion of new digital platforms has provided advertising agencies with a staggering array of options to help sell their clients’ messages.
Planning and buying media, once a behind-the-scenes specialty within the advertising business, has taken center stage to help advertisers sort through the smorgasbord of media choices.
What is planning and buying, and what exactly does the key figure involved, the so-called media specialist, do?
Planning is the process of deciding where an advertiser’s message will have the most impact: Are prospective purchasers for a product watching prime-time network television, listening to the radio, reading a niche magazine or surfing the Web?
Once an advertiser and agency have decided where the campaign should appear, the buying phase starts. Buying is the process of purchasing advertising, including such units as 30-second broadcast television commercials, single-page print ads or Web banners. This is not a simple trip to a media supermarket, but involves intense negotiations, sometimes with hundreds of millions of dollars at stake.
And the weight of all those dollars has significantly shifted how advertising agencies operate.
Ad agencies once had several departments under one roof: creative, where ads are designed and produced; media, which plans the media strategy and buys the media where ads will appear, and account services, which coordinates these activities on behalf of the client. Most agencies also had a research department to gather insights into what made consumers tick.
When media selections were limited to a few television stations, consumer magazines, radio stations and newspapers, the media specialty within the advertising business was the poor stepchild. But that all changed in the 1990s, as media, and the business of planning and buying it, started to become exponentially more complex. Once working quietly behind the scenes, media specialists are now edging out the creative people as the darlings of the ad world.
Today, media specialists have to decide not only which older media channels are appropriate for their clients’ messages, but also whether the consumers they are trying to target are best reached through social networking Web sites or search engines; video and podcasts seen and heard on your laptop or PDA, or the still-proliferating number of cable networks.
The rise of the media specialist also has led to a fundamental structural change within the ad business. For the most part, media is now handled not within the ad agency that creates the ads but through a separate unit, known as the media agency, whose complete focuses is on finding the right outlet for clients.
For the foreseeable future, the ad business looks as if it will be two businesses: the media agency and the creative agency.”
As MediaPost columnist Jack Feuer explained: “In the old mass media world, everybody fished on the same three giant oceans [the broadcast networks]. Nobody knew where the fish were or if they were biting. So the difference between the fat fishermen and the starving fishermen was who had the brightest lure — the best creative.”
Here’s one example of how drastically that has changed.
In 2004, Dove, the women’s skincare brand made by Unilever, embarked on its “Campaign for Real Beauty,” a continuing effort that from its inception has used a complex combination of media to promote its twin messages. The first: Beauty comes in many shapes and sizes. The second: Let’s start a discussion on how women define beauty.
To get out those messages, the Dove brand leapt into the multi-media pool using the following outlets:
- Interactive billboards such as one in Times Square, allowing viewers to use text messaging to vote on whether the woman portrayed there was “wrinkled or wonderful.”
- An online series, “Dove Realty Diaries,” which features blogs and videos that follow four girls as they deal with self-esteem issues that arise during the teen years.
- A Web site, campaignforrealbeauty.com, that acts as a forum for visitors to discuss their concepts of beauty.
- Viral videos, “Dove Evolution,” appearing online only, portraying how the beauty industry creates unrealistic images of beauty.
- A 2006 Super Bowl commercial focusing on self-esteem issues.
- National magazine advertising.
The budget numbers for the campaign have not been divulged by the media agency, Mindshare, and the creative agency, Ogilvy & Mather.29 But they will share some of the responses, which illustrate how deep and wide new audiences for a product can be.
During four years, nearly 4.5 million people have visited the campaignforrealbeauty Web site. Since it had its debut in early 2007, the viral video “Dove Evolution” has been viewed by more than 12 million people on YouTube alone and caused an 8,000% jump in traffic on the campaign’s main Web site. And more than one million people have viewed the latest video, “OnSlaught,” on YouTube since it appeared in late 2007.
While Unilever is a particularly inventive company when it comes to media strategy, campaigns such as this one are becoming more commonplace, requiring more intricate planning and buying — and the service of dedicated media agencies – than those that rely on older media outlets.
The rise of media agencies also reflects the considerable clout they wield when negotiating to buy space and time with media companies ranging from NBC to Time Warner to Yahoo.
In 2006, according to data from Advertising Age, 15 media agencies controlled about $85 billion of the $150 billion spent in domestic advertising. (Much of the rest is in local advertising.) As with the ad agencies they split from, the media agencies are nearly all owned by one of four communications holding companies. And each of these, in turn, owns dozens of companies in every marketing communications field, from public relations to sales. (See AdAge chart.)
Interpublic Group, for instance, owns media agencies Initiative and Universal McCann, as well as the public relations agency Weber Shandwick, the ad agencies McCann Erickson Worldwide and Deutsch (and others), and even the Hollywood publicity outfit PMK/HBH.
The big four holding companies are:
- Interpublic Group, New York. 2006 revenue: $6.2 billion. Major clients: General Motors, Johnson & Johnson, Unilever.30
- Omnicom Group, New York. 2006 revenue: $11.4 billion. Major clients: Chrysler, McDonald’s, PepsiCo.31
- Publicis Groupe, Paris. 2006 Revenue: $6 billion. Major clients: General Motors, Nestlé, Procter & Gamble.32
- WPP Group, London. 2006 revenue: $11 billion. Major clients: Ford, IBM, Unilever.33
Ad agencies filled with account and media people still exist, but a more accurate name for them today is creative agency.
And yet as the advertising and media industries continue to evolve, there are signs the business will come full circle, with creative and media once again housed together to create truly integrated campaigns. In December 2007, one major media agency, Starcom Mediavest Group, announced it was developing its own in-house creative department to help with certain parts of the creative process, such as designing clients’ programs on the Web.34
1. Greg Smith, chief operating officer of Neo@Ogilvy, a digital media offshoot of Ogilvy & Mather Worldwide.
2. TNS Media Intelligence
3. Publishers Information Bureau Revenue & Ad pages by Category 2007: http://www.magazine.org/Advertising_and_PIB/PIB_Revenue_and_Pages/Revenue___Pages_by_Ad_Category__quarterly___YTD_/25716.cfm
4. Advertising Age 100 Hundred Leading Advertisers: http://adage.com/datacenter/article?article_id=118652
5. Attributed to John Wanamaker : http://www.quotationspage.com/quotes/John_Wanamaker/
6. 2008 Ad Age Advertising Jobs report: http://adage.com/images/random/datacenter/2007/annualjobs2007.pdf
7. TNS Media Intelligence
8. “Why We Don’t Know Enough About Broadband in the US,” Pew Internet & American Life Project: http://www.pewinternet.org/pdfs/Backgrounder.MeasuringBroadband.pdf
9. Diego Vasquez. “Big Changes for Local Web Advertising,” Media Life Magazine: http://www.medialifemagazine.com/artman2/publish/Research_25/Big_changes_for_local_web_advertising.asp
10. Interactive Advertising Bureau Internet Advertising Revenue Report first half of 2007: http://www.iab.net/media/file/IAB_PwC_2007Q2.pdf
11. “So Many Ads So Few Clicks,” BusinessWeek, November 12, 2007: http://www.businessweek.com/magazine/content/07_46/b4058053.htm
12. Google advertising tool AdWords: http://adwords.google.com/select/Login.
13. “Will Give-Backs Become Contagious?” by Mariss Guthrie, Broadcasting and Cable, December 17, 2007: http://www.broadcastingcable.com/article/CA6513149.html?q=Nielsen.
14. “Super Bowl Slots Nearly Sold Out,” Media Week, December 15, 2006: http://www.mediaweek.com/mw/search/article_display.jsp?vnu_content_id=1003522472
15. “40 Million Spent to Tout Candidates on Iowa TV,” CNN.com, January 1, 2008: http://www.cnn.com/2008/POLITICS/01/01/iowa.ad.spending/.
16. TNS Media Intelligence: http://www.tns-mi.com/news/12112007.htm
17. Nielsen Online Ad Relevance. .
18. “The New York Times Company Reports 2007 Third-Quarter Results,” New York Times Company Press Release. October 23, 2007: http://phx.corporate-ir.net/phoenix.zhtml?c=105317&p=irol-pressArticle&ID=1066071&highlight=
19. Magazine Publishers of America. Magazine Digital Initiatives 2007: http://www.magazine.org/digital/25681.cfm
21. “AdWeek to Expand Digital Offering.” AdWeek, November 20, 2007: http://www.adweek.com/aw/national/article_display.jsp?vnu_content_id=1003676050.
22. Publishers Information Bureau. Revenue & Pages by Magazine Titles (Quarterly): http://www.magazine.org/Advertising_and_PIB/PIB_Revenue_and_Pages/Revenue___Pages_by_Magazine_Titles__quarterly_/24509.cfm.
23. Nat Ives. “Chrysler CEO says Ad Spending Unlikely to Increase,” Advertising Age, October 29, 2007: http://adage.com/amc07/article?article_id=121607&search_phrase=Chrysler+magazines
24. Anthony Crupi. “Buyers Debate C3 Ratings,” MediaWeek, November 16, 2007: http://www.mediaweek.com/mw/search/article_display.jsp?vnu_content_id=1003673852
25. Brian Stelter. “In Foray into TV, Google is to Track Ad Audiences,” New York Times, October 24, 2007: http://www.nytimes.com/2007/10/24/business/media/24adco.html
26. “NBC Partners with TiVo on Advertising and Research Solutions,” TiVo press release, November 27, 2007: http://tivo.com/abouttivo/pressroom/pressreleases/2007/release_112707.html
27. “MediaMark, DJG Marketing and WRSS to Test Passive Measurement of Magazine Readership in Public Places.” Mediamark Research and Intelligence Press Release, December 3, 2007.
28. Randall Rothenberg. “Facebook’s Flop,” Wall Street Journal, December 14, 2007:http://online.wsj.com/article/SB119760316554728877.html
29. Paid media for Unilever’s Dove campaign includes the interactive billboard, print ads and the 2006 Super Bowl spot. The major expense on the viral videos was production. The Web site costs include production and site maintenance.
30. The Interpublic Group of Companies, 2008 Annual Report: http://library.corporate-ir.net/library/87/878/87867/items/247880/2006ar.pdf
31. “Omnicom Reports 2006 Fourth Quarter and Year End Results,” Omnicom Press release, Feb. 13, 2007: http://phx.corporate-ir.net/phoenix.zhtml?c=102269&p=irol-newsArticle&ID=962272&highlight=
32. David Giantasio. “Publicis’ Net Income up 15%,” AdWeek, February 28, 2007.
33. David Giantasio. “WPP’s Revenue, Profit up in ’06,” AdWeek, February 23, 2007.
34. Joe Mandese. “SMG eyes ‘Agency of the Future,’ Expands Creative Services Role, Media Daily News,” December 19, 2007.